Well,
this is exactly the point, and a very excellent example.
Having only a select few of anonymous internet experts declare whether a bracket is or is not genuine, with no details, is simply disengenuous to the collecting community.
Who, after all, can say that this item is not correct, without identifying exactly why? Has the "expert" seen every example of bracket produced? I constantly read, in the
GCA
Journal, that "we are still learning" about such and such revelation discovered regarding WWII Garand and Carbine production.
I often read that "such and such" author is "Dead Wrong" regarding a certain cartouche, etc. Why so? No details are given.
As a collector of 20 years or so, and having collected various M1Cs and M1Ds, from credible sources, I have seen enough examples of "variances" to the "Expert"s" declaration.
For example: Bruce Canfield, on Page 87 of his
Complete Guide to the
M1
Garand and M1 Carbine", 1999, clearly shows the bottom of the M1C bracket with the number 3592020, and the “3” has a rounded top. On the other hand, McClain, et.al., in the Summer 2008 GCA Journal, state, with authority, that the “3” is supposed to have a “flat top”, and they have a picture on Page 6, stating that “a flat-top “3” is the most common identifier”. So is the example in Canfield’s book not authentic? Or, as is most likely the case, there IS NO RULE at all regarding what is authentic. Rather, “Rules” have been developed based on observing a small set of examples of the items.
I have seen numbers on brackets stamped upside down from the above pic. Does that mean they are “fake”, or does it mean that the guy stamping the numbers, by hand, simply got mixed up one day?
So, getting back to the “fake” bracket on ebay. If I were to buy it, and it be authentic, but some “expert” says it is not, then the value of the authentic object has just diminished considerably, based solely on an individual’s declaration.
So, it would be nice for a collage of examples of “authentic” items to be posted, WITH THE Advisory that these are “examples”, and deviations MAY BE OBSERVED.
Such references as Duff’s books, GCA Journal, and others, are simply that a Reference. The authors constantly state that the learning curve is being constantly updated. So why can’t we collectors be a part of that learning process?
Regards,
SN1